Mickey Rourke’s face – puffed, spongy, semi-mobile, is like a relief map of failure in Darren Aronofsky’s The Wrestler, a sports drama that struggles semi-successfully to transcend it’s genre. To the degree that it succeeds Rourke, Marisa Tomei, and Aronofsky deserve the credit for sharply grounding the film in reality. Likewise, it’s shortcomings are again [...]
